EXILE

Katharina Marszewski, Grotto Capitale, 2017, Exhibition title and logo

Grotto Capitale, 2017, Installation view, EXILE

Hanne Lippard, Oops & Downs, 2017, digital print on fabric, 200 x 60 cm <br>

Grotto Capitale, 2017, Installation view, EXILE

Anna Jandt, AGARES, 2017, Grand Floridian Sand Lamen, 32 x 32 x 1.5 cm

left: Kazuko Miyamoto, Untitled, 1988, four photo copies of black wooden pieces from Sol LeWitt sculptures on white paper, 43 x 27.5 cm or 27.5 x 43 cm each right: Nathalie Du Pasquier, BRR 1, 2016, oil on canvas and wooden structure, 132 x 50 cm

Grotto Capitale, 2017, Installation view, EXILE

Zuzanna Czebatul, Do you feel it? Yes, I feel it!, 2017, foam and vinyl, 16 x 150 x 115 cm

Nathalie Du Pasquier, Emerald, 1985, wood, laminate, mirror, 195 x 100 x 40 cm

Grotto Capitale, 2017, Installation view, EXILE

Kazuko Miyamoto, Kazuko dances at MoMA, ca 1972, unique silver-gelatin print, 13 x 18.5 cm

Nathalie Du Pasquier, Untitled, 2016, oil on canvas, 100 x 100 cm

Grotto Capitale, 2017, Installation view, EXILE

Kazuko Miyamoto, Twig Woman, 1983, performance documentation, unique color photocopy, 31 x 24.5 cm

Nona Inescu, Our flesh surrounds us with its own decisions, 2017, latex, surgical steel piercings, chrome-plated steel, 155 x 75 x 55 cm

Chiara No, Tenet One of Crowning, 2015, thread on dyed black canvas, burlap, linen, 224 x 172 cm

Grotto Capitale, 2017, Installation view, EXILE

Democratic Autonomy, 2017, oil on linen, 145 x 130 cm

Hanne Lippard, Phallucinations, 2016, digital video, 6:35 min

Grotto Capitale, 2017, Installation view, EXILE

Kathe Burkhart, American Woman, 2001/2, performance documentation, 8:44 min

Nschotschi Haslinger, Plateau 1000, 2017, ceramic, 28 x 28 x 12 cm each. Pantoffel Margarita, 2016, ceramic, 13 x 27 x 9 cm each. Arzthelfersandalen, 2016, ceramic, 29 x 29 x 12 cm each. Pumps mit Dreieckssocken, 2016, ceramic, 21 x 28 x 10 cm each. Loafer Aristo, 2016, ceramic, 13 x 18 x 7 cm each. Murlie Newman’s Schuhe, 2016, ceramic, 29 x 29 x 12 cm each. Meine Schuhe, 2016, ceramic, 29 x 29 x 12 cm each.

Grotto Capitale, 2017, Installation view, EXILE

Beatrice Balcou, Computer Performance, 2011, performance documentation, 6:00 min

But still, built into me was this button – when pressed, the button would save me. I don’t know if I was in charge of this button, or if someone somewhere praying for me was in charge of it. I would abandon myself, like when I took the super pill. I would return though, I would recover. Others stayed out there, in a lovely but remote place. (Grace Jones)

Grotto Capitale: Beatrice Balcou, Kathe Burkhart, Zuzanna Czebatul, Nschotschi Haslinger, Nona Inescu, Anna Jandt, Hanne Lippard, Katharina Marzewski, Kazuko Miyamoto, Chiara No, Nathalie Du Pasquier, and Pauł Sochacki