EXILE

Untitled (Molly House), 2020, Installation view, EXILE

Luki von der Gracht, What Do You See? I See Desire, 2019 & Going Back To Who I Am, 2013, inkjet print on studio satin paper, 42 x 29 cm each

BREYER P-ORRIDGE, Threee, 2004, c-print face-mounted on UV Plexi, 35.6 x 35.6 x 4.4 cm, courtesy New Discretions, New York

Philipp Timischl, Too blessed to be stressed, too broke to be bothered (ECHO PARK), 2019 & Too blessed to be stressed, too broke to be bothered (SUNSET BLVD.), 2019, c-Print framed, with custom passepartout, 40 x 30 cm, courtesy Emanuel Layr, Vienna & Rome

Untitled (Molly House), 2020, Installation view, EXILE

Abby Lloyd, Mary, 2019, fabric, polyfill, ribbon, antique boots, acrylic hair, 92 x 35 x 30 cm

Untitled (Molly House), 2020, Installation view, EXILE

Sophia Stemshorn, Keuschheitsgürtel, 2020, hand-forged steel, 45 x 45 x 35 cm

David Lindert, Untitled, 2020 & Hasenheide, 2018, inkjet print on baryta paper, 43 x 30 cm each

Anne Doran, Untitled, 1990, collage, 24.8 x 17.1 cm each, courtesy New Discretions, New York

Davide Stucchi, Socket (Bedroom), 2019, aluminum, paint, acrylic glass, photograph removed from publication, backing, screws, 11.5 x 7 x 0.5 cm each

Davide Stucchi, Light switch (Kitchen), 2019, aluminum, paint, acrylic glass, photograph removed from publication, backing, screws, 11.5 x 7 x 0.5 cm each

Untitled (Molly House), 2020, Installation view, EXILE

Meltem Rukiye Calisir, Bitch Panty, 2020, silkscreen print on latex, 38 x 22 cm

Robin Waart, (The loves that didn´t make it), 2020, 160 reclaimed subtitles including the word love, offset on six different shades of pink paper, 90 x 29.7 x 21 cm, with kind support by the Mondriaan Fund

Robin Waart, (The loves that didn´t make it), 2020, 160 reclaimed subtitles including the word love, offset on pink paper, 90 x 29.7 x 21 cm

Georgia Horgan, Is sex interesting? (Costume for Katherina), 2020, PVC, raw cotton, metal boning, binding tape, copper cable, satin ribbon, cable ties, hand-guided machine embroidery, constructed by Johanna Samuelson, 80 x 35 x 30 cm

Untitled (Molly House), 2020, Installation view, EXILE

Karolin Braegger, Actress I, 2020, steel, fine solder, electrical cable, lightbulb, fabrics, threads, needles, mini soldier, mini dinosaur, rhinestone, 80 x 50 x 60 cm

Nicholas Grafia, The Trial Lounge, 2020, acrylic and graphite on canvas, metal chain, 130 x 200 cm

Untitled (Molly House), 2020, Installation view, EXILE

Bruno Zhu, Pamper (pomegranate, strawberries, wild berries), 2017 & Spoils (almond, strawberries, blueberries), 2017, machine stitch embroidery on canvas in canvas box, dimensions variable

Dominykas Canderis, Unsuccessful Porn, 2020, video, 12 min, Installation view, EXILE

Dominykas Canderis, Unsuccessful Porn, 2020, video, 12 min

E X I L E is pleased to participate in this year’s edition of →curated by with a group exhibition curated by Vienna-based artist and curator Julius Pristauz.

With a strong focus on the negotiation of approaches towards how bodies, sex, and forms of gender expression are deconstructed and reconstructed in queer communities and their allies’ artistic practices, Untitled (MOLLY HOUSE) raises questions as to the historical entanglement of gender politics as well as the visibility and space given to discussions necessary in order to learn about their origins.

Looking at the subversive potential of transformation, the exhibition tells stories of individual experiences that evoke curiosity in their community.

Participating Artists: Anne Doran, Nicholas Grafia, Luki von der Gracht, Karolin Braegger, Dominykas Canderis, Meltem Rukiye Calisir, Georgia Horgan, Abby Lloyd, Breyer P-Orridge, David Lindert, Sophia Stemshorn, Davide Stucchi, Philipp Timischl, Robin Waart, Bruno Zhu.

With texts by: Victoria Sin, Simon Würsten Marin, Enesi M., Caspar Heinemann.

→Untitled (MOLLY HOUSE) Publication

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