Gwenn Thomas, Wishing Well, 2023, Installation view, Figura Avulsa, Lisbon, Portugal
Gwenn Thomas, Wishing Well, 2023, Installation view, Figura Avulsa, Lisbon, Portugal
Gwenn Thomas, Rare Earth Magnet, 2022, Installation view, EXILE
Gwenn Thomas, Metallica II, 2021, copper and reclaimed resin, 19 x 38.5 x 50 cm
Gwenn Thomas, Untitled Constellation I, 2022, aluminum, copper nails, paint and seed pearls, 122 x 92 cm
Gwenn Thomas, Rare Earth Magnet, 2022, Installation view, EXILE
Gwenn Thomas, Rare Earth Magnet III, 2022, painting on photographic paper, 50.8 x 61 cm
Gwenn Thomas, Rare Earth Magnet, 2022, Installation view, EXILE
Gwenn Thomas, Rare Earth Magnet (transparent), 2021, blown glass in steel encasement, 4 x 24 x 19.5 cm
Gwenn Thomas, Rare Earth Magnet (green), 2021, blown glass in brass encasement, 5 x 27 x 23.5 cm
Gwenn Thomas, NADA House, 2022, Installation view, Governors Island, New York
Gwenn Thomas & Jason Murphy, Abattoir Gallery, Cleveland, 2020
Gwenn Thomas & Jason Murphy, Abattoir Gallery, Cleveland, 2020
Gwenn Thomas, DUST: The Plates of the Present, Installation view, 2020, Centre Pompidou, Paris, initiated by Thomas Fougeirol and Jo-ey Tang
Gwenn Thomas, DUST: The Plates of the Present, Installation view, 2020, Centre Pompidou, Paris, initiated by Thomas Fougeirol and Jo-ey Tang
Gwenn Thomas, Moments of Place X, 2013-2019, c-print with patinated copper frame, 39,3 x 66 cm
Gwenn Thomas, Re-visions, Installation view, Pinakothek Der Moderne, Munich, 2019
Gwenn Thomas, Untitled (Ralph Gibson), 1974, four silver-gelatin prints, 20,3 x 25,4 cm each
Gwenn Thomas, 1Ensemble, Installation view, 2018, Cathouse Proper, Brooklyn, NY, curated by David Dixon
Gwenn Thomas, Antonioni’s Window, 2017-18, painted wood, metal, and plexiglas, 115.6 x 94.0 x 7.6 cm
Gwenn Thomas, Walk Right In, two-person show with David Diao, Jeffrey Stark, New York, 2018, curated by Angelo Lanza
Gwenn Thomas, Walk Right In, two-person show with David Diao, Jeffrey Stark, New York, 2018, curated by Angelo Lanza
Gwenn Thomas, 3 Standard Candles, Installation view, Mélange, Cologne, 2018
Gwenn Thomas, 3 Standard Candles, Installation view, Mélange, Cologne, 2018
Gwenn Thomas, Standard Candles, 2016, wood, paint, perspex, 34 x 19 x 4 cm
Gwenn Thomas, Jack Smith, Art Crust of Spiritual Oasis, Installation view, Artists Space, New York, 2018, curated by Jay Sanders and Jamie Stevens
Gwenn Thomas, AWC Summer Camp, The Exhausted Land, Installation view, 2019, Klosterfelde Edition, Berlin
Gwenn Thomas, Cactus House Landscape II, 1993, photo emulsion and oil paint on linen and wood, 91,4 x 66 cm
Gwenn Thomas, Standard Candles, 2016, stained knotty pine with plexiglas and acrylic paint on wall, 157,5 x 213,4 cm
Gwenn Thomas, Moments of Place, 2014, Installation view, Point of Contact Gallery, University of Syracuse, NY
Gwenn Thomas, Untitled, 1983, c-type print and-oil on board, 61 x 61cm
Gwenn Thomas, Window House, 1991, toned silver-gelatin prints with-sand, wood and oil pigment (double-sided), 57,8 x 57,2 x 15,9 cm
Gwenn Thomas, Moments of Place II., 2013/14, c-print in angular aluminum frame, 45,7 x 63,5 cm
Gwenn Thomas, Doorway (Alcântara), 2014, c-print in painted wooden frame, 38,7 x 31,1 cm
Gwenn Thomas, Moments of Place VII., 2014, c-print with painted wood frame, 12.7 x 66 cm
Gwenn Thomas, Gwenn Thomas Hanne Lippard, Installation view, 2013, EXILE
Gwenn Thomas, Flats, 1985, toned silver-gelatin print with enamel paint on wood, 51 x 84.5 cm
Gwenn Thomas, Flats, 1985, toned silver-gelatin print with enamel paint on wood, 49.5 x 80 cm
Gwenn Thomas, Taj Mahal, 1989, two silver-gelatin split-toned prints and enamel on wood, 101.5 x 51 cm
Gwenn Thomas, Letters II, 1987/88, silver-gelatin print with silver leaf on wood, 81.5 x 47.5 cm
Gwenn Thomas, Gwenn Thomas Hanne Lippard, Installation view, 2013, EXILE
Gwenn Thomas, Large Oculus II, 1987/88, cibachrome print with oil on wood, 49.5 x 66 cm
Gwenn Thomas, Sonancy, 2010, relief etching, 48.3 x 31.1 cm
Gwenn Thomas, Document Performance, 2011, Installation view (with Kazuko Miyamoto), EXILE
Gwenn Thomas, Collaborative Documentation of Joan Jonas Performance Twilight, 1975, silver-gelatin print, 28 x 35 cm, printed 2005
Gwenn Thomas, Awning, 1994, photo emulsion on linen, 109.9 x 45.1 cm
Gwenn Thomas, Flag, 1993, photo emulsion on linen, 76.2 x 111.8 cm
Gwenn Thomas, Untitled (The Pearl is the Rivers Color), 2011, etching with sugar lift and spit bite on BFK paper, 43.2 x 55.8 cm
Gwenn Thomas, Installation view (as part of Semiotexte), 2014, Whitney Biennale, New York
Gwenn Thomas, Jack Smith in Jack Smith's Fear Ritual of Shark Museum, Cologne Zoo, 1974, 35 x 28 cm, silver-gelatin print from vintage negative, printed 2005
Gwenn Thomas, Jack Smith: Fear Ritual of Shark Museum (with photographs by Gwenn Thomas), Avalanche Magazine, Issue 10, December 1974, pp 26-27
Gwenn Thomas, Installation view, 2006, Yvon Lambert Gallery, New York
Gwenn Thomas, Jack Smith in Jack Smith's Fear Ritual of Shark Museum, Cologne Zoo, 1974, 28 x 35 cm, silver-gelatin print from vintage negative, printed 2005
Gwenn Thomas, Jack Smith and Hildegard Lutz in Jack Smith's Fear Ritual of Shark Museum, Cologne Zoo, 1974, 28 x 35 cm, silver-gelatin print from vintage negative, printed 2005
Gwenn Thomas, I was a male Yvonne De Carlo, 2012, Installation view, Museo de Arte Contemporane, Leon, Spain
Gwenn Thomas, Jack Smith in Jack Smith's Fear Ritual of Shark Museum, Cologne Zoo, 1974, 28 x 35 cm, silver-gelatin print from vintage negative, printed 2005
Gwenn Thomas, Jack Smith, Cologne, 1974, photographs by Gwenn Thomas, film by Birgit Hein, Installation view (with Birgit Hein), 2009, EXILE
Gwenn Thomas, Installation view (with Aggtelek), 2012, Artissima 19
Gwenn Thomas, Photographic Documentation of Joan Jonas Performance Delay Delay, 1972, two silver-gelatin prints from vintage negative, 31.75 x 21.6 cm each, printed 2012
Lives and works in New York.