Installation view, MIART, 2016
Martins Kohout, Fallout 2 (Original Soundtrack), 2015, wood, various cables and wires, concrete, moss, cardboard, laser and gryllus bimaculatus 104 x 138 x 70 cm
Pauł Sochacki, Le monde est un portrait, 2015, oil on canvas, 70 x 60 cm
Nathalie Du Pasquier, Untitled, 2015/16, oil on canvas in artist-made frame, 118 x 118 cm
Martins Kohout, Tanzania - Japan, 2016, wood, stamps and plastics, 54 x 74 x 7 cm
Installation view, MIART, 2016, with Nathalie Du Pasquier & Martin Kohout
Pauł Sochacki, Smoking Kills, 2015, oil on canvas, 140 x 170 cm
Nathalie Du Pasquier, Untitled (1 from a series of 3), 1991, unglazed terra cotta, 22 x 40 x 40 cm
Nathalie Du Pasquier, Untitled (2 from a series of 3), 1991, unglazed terra cotta, 22 x 40 x 40 cm
Installation view, MIART, 2016
Martins Kohout, Untitled, 2016, glazed ceramics, wire and metal, 46 x 22 x 4 cm
Nathalie Du Pasquier, Untitled, 2016, color pencil on paper, 50 x 70 cm
Pauł Sochacki, Erkenntnis und Interesse (Knowledge and human interest), 2014, acrylic on linen, 150 x 115 cm
EXILE is pleased to present a group presentation entitled 2156 – Volume 237 Acta Zoologica with works by Martin Kohout, Nathalie Du Pasquier and Pauł Sochacki at MIART artfair in Milan.
In a future not too distant to consider, animals will have resurfaced from the oceans onto an otherwise wiped-out planet. The natural world has resurrected itself from the icy bunkers of frozen seed banks. Animals will have taken over the world that human inability left behind. Animal kingdoms appear. Memories slowly resurface – slaughterhouses, pet stores, cages, zoos, architecture, philosophy, identity, belonging. Animals are confronting their past, argue their existence and wonder about their future.
Concurrently to MIART Nathalie Du Pasquier will open a solo exhibition of new paintings entitled very flat constructions at Assab One in Milan. EXILE and ASSAB ONE cordially invite you to the opening on Apr 5, 6:30pm. The new works by Du Pasquier are displayed within and set in context with the vast post-industrial architecture of this former printing factory.
Click here for further information on MIART
Click here for further information on Nathalie Du Pasquier’s concurrent solo exhibition very flat constructions at ASSAB ONE
Click here for directions from MIART to ASSAB ONE
Click here to read review by Hili Perlson for artnet
Click here to read review by Sara Dolfi Agostini