EXILE

Aggtelek, Collection Art, 2015, Basel SS, poster, 84.1 x 59.4 cm

Fake, 2015, Installation view, EXILE

Vytautas Jurevicius, Three people, 2015, performance documentation, Mar 21, 8-9pm

Ursus Haussmann, Untitled #05 (re-enactment of Adolf Hitler visits the tomb of Napoleon at Les Invalides, Paris, France, 1940), 2014, inkjet print on baryt in a wooden frame, 43.3 x 31.3 cm

Julian Fickler, Untitled, 2015, acrylic on canvas, 210 x 145 cm

Norbert Witzgall, Kathrine, 2008, oil on wood and day-glow star, 51 x 40 cm

Hanne Lippard, I am Mrs Helen Wong, we need to discuss as promised, 2015, 28 day email spam narrative

Kinga Kielczynska, OSXenlightenment, 2015, mixed media, 13 x 87 x 60 cm

Kathe Burkhardt, Scarecrow, 2001, fabric, scarf and prayer cap, 160 x 45 x 40 cm

Christophe De Rohan Chabot, https:
www.facebook.com/events/1614997755379496/ http:
exilegallery.org/exhibitions/fake/, 2015, internet print-outs on A4 paper, table and chair, dimensions variable

Fake, 2015, Installation view, EXILE

Nadja Abt, Oscar, 2014, acrylic and spray-paint on plaster of paris, 34.29 x 12 x 12 cm

Ulrich Lamsfuss, Ryan McVay, Vase Shattering (gty. im. #200436912001) No 1., 2012, oil on canvas, 125 x 125 cm

Fake, 2015, Installation view, EXILE

Heji Shin, Untitled, 2015, c-print, 120 x 80 cm

Rein Vollenga, Untitled, 2015, found object, mixed media, epoxy and acrylic, 40 x 40 x 50 cm

Fake, 2015, Installation view, EXILE

Jo-ey Tang, Untitled, 2015, two photocopies on floor, 29.7 x 21 cm

Jo-ey Tang, Untitled, 2015, two photocopies on floor, 29.7 x 21 cm

Fake, 2015, Installation view, EXILE

Patrick Fabian Panetta, Make problems just sexy enough /IV., 2009, oil on canvas, drawings, paper and plastic film, 100 x 80 cm

Rachel Mason, Receipt to Donald Rumsfeld, 2003, color pencil on paper, 45 x 58 cm

Ulrich Wulff, Fake, 2015, acrylic on canvas, 30 x 20 cm

Mark Dilks, Yo! 2011, oil and latex on canvas, 25 x 20cm

Fake, 2015, Installation view, EXILE

Vytautas Jurevicius, Three people, 2015, performance documentation, Mar 21, 8-9pm

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Paul Sochacki, Untitled, 2015, canvas, 150 x 110 cm

Rapture Inc, Rapture Inc #003,(Put a standard black IKEA shelf on the street and wait for it to be modified, once modified take back to the gallery and hang vertically, if shelf gets stolen purchase new one and start fresh until work is complete), 2015, painted wood and ink pen, 110 x 5 x 26.5 cm

Kathe Burkhardt, American Woman, 2001, digital video, 8:44 min

Benjamin Alexander Huseby, Humulus lupulus, 2014, digital c-type print, 37 x 51 cm

Anonymous, Study for scream, date unknown, wood, 9 x 2 x 0.3 cm <br>

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Billy Miller, Untitled, 2015, color crayon on paper, 21.6 cm x 27.9 cm

Kazuko Miyamoto, New York City Trash Can, 1985, burlap, 77 x 48 cm

Fake, 2015, Installation view, EXILE

Jurgen Ostarhild, abstract photograph, 2013, laser-copy, 42 x 29.7 cm

Martins Kohout, Dreadlocks, 2014, wires, cables and chewing gum on wood, 210 x 120 x 5 cm

Ulrich Lamsfuss, Ryan McVay, Vase Shattering (gty. im. #200436912001) No 2., 2012, oil on canvas, 125 x 125 cm

Nancy Davenport, Eclipse (Technicolor), 2013, three unique polaroid photographs (#10, #11, #12), 4" x 5.12” each mounted on aluminum

Fox Irving and Kenneth Goldsmith, Untitled, 2014, selection of photocopies taken from Goldsmith’s twitter account operated by Fox Irving, A3 Laser copies

Fox Irving and Kenneth Goldsmith, Untitled (Oct 13), 2014, selection of photocopies taken from Goldsmith’s twitter account operated by Fox Irving, A3 Laser copies

Fox Irving and Kenneth Goldsmith, Untitled (Oct 9), 2014, selection of photocopies taken from Goldsmith’s twitter account operated by Fox Irving, A3 Laser copies

Fake is of unknown origin. It was first attested in criminal slang in London as an adjective in 1775, as a verb in 1812, as a noun in 1851 and as a person in 1888, though its origins are probably older. A likely source is feague from German fegen in colloquial use. Another source may be from Latin facere.

Fake is probably from feak, feague (“to give a better appearance through artificial means”); akin to Dutch veeg (“a slap”), vegen (“to sweep, wipe”); German fegen (“to sweep, to polish”). Compare Old English fācn, fācen (“deceit, fraud”). Perhaps related to Old Norse fjuka (“fade, vanquish, disappear”), feikn (“strange, scary, unnatural”) and Albanian fik (“put out, vanquish, disappear”).

Fake is a new browser for Mac OS X. Fake allows you to drag discrete browser Actions into a graphical Workflow that can be run again and again without human interaction.

Fake is a song written and recorded by British soft rock group Simply Red. It was released in July 2003 as the second single from the album, Home. It was the next single after their international smash hit “Sunrise.” It reached number-one on the U.S. Billboard Hot Dance Club Play for the week of February 14, 2004.

Fake was a Swedish synthpop band during the 1980s.

Fake is an uncharted territory off the coast of Ko-Realia.

Fake was an exhibition at EXILE in Berlin.

Aggtelek
Benjamin Alexander Huseby
Billy Miller
Christophe De Rohan Chabot
Fox Irving and Kenneth Goldsmith
Fresh White
Hanne Lippard
Heji Shin
Jo-ey Tang
Julian Fickler
Jurgen Ostarhild
Kathe Burkhardt
Kazuko Miyamoto
Kinga Kielczynska
Mark Dilks
Martin Kohout
Nadja Abt
Nancy Davenport
Norbert Witzgall
Paul Sochacki
Patrick Fabian Panetta
Pietro Sanguineti
Rachel Mason
Rapture Inc.
Rein Vollenga
TOLE & Tolan
Ulrich Lamsfuss
Ulrich Wulff
Ursus Haussmann
Vytautas Jurevicius