EXILE

Kazuko Miyamoto, Photocopy enlargements, 1982-88, Installation view, EXILE Berlin, 2025

Kazuko Miyamoto, Lower East Side by Night, 1983/2025, photocopy enlargement, 175 x 205 cm

Kazuko Miyamoto, Photocopy enlargements, 1982-88, Installation view, EXILE Berlin, 2025

Untitled (Fred Brown in Tompkins Square Park), 1983/2025, color crayon on photocopy enlargement, 90 x 130 cm

Kazuko Miyamoto, Photocopy enlargements, 1982-88, Installation view, EXILE Berlin, 2025

Kazuko Miyamoto, Four car window washers on Delancey, 1983/2025, color crayon on photocopy enlargement, 82 x 126 cm

Kazuko Miyamoto, Four car window washers on Delancey (detail), Proposal for Public Art in Chinatown, 1988 (source: Artention International, No 1, July - August 1988, pp 52-53)

EXILE Berlin is pleased to present a second research exhibition into a specific time and body of work by Kazuko Miyamoto. Beginning with the first photocopy enlargement Stunt, 1982, now in the collection of the Museo d’Arte Contemporanea Donna Regina in Napoli, Italy, the exhibition presents for the first time Miyamoto’s three consecutively produced photocopy works. Further, new research into Miyamoto’s use of photocopy for documentation and enlargement techniques until 1988 is introduced.

Following the opening day on Saturday, Nov 1, 1 – 5 pm, the exhibition is open by appointment only.

The exhibition runs parallel to Miyamoto’s solo exhibition String Constructions at KW in Berlin.

→String Constructions, KW Berlin (Oct 30 – January 18, 2026)